Embark on a visionary journey through the fragmented unconscious of our modern times, and with courage face the Shadow. Through Shadow into Light. – Lubomir Arsov

IN-SHADOW: A Modern Odyssey
by Darth Maul | Apr 3, 2019 | Animation | 0 comments
Recent Posts
- A Plentiful Feast
- H²élyos
- Love Is Culinary Art (Guest Post By: ICS)
- The Hunter
- Gymkhana 2020: Travis Pastrana Takeover
- Contemporary Outdoor Pizza Oven
- Background Updating in ArchiCAD
- Jumping to the First or Last Item in Finder
- Garbage – No Gods No Masters (Official Music Video)
- Stop iTunes From Autoplaying Next Podcast Next
How Much Sleep Do We Need?
by Darth Maul | November 22, 2016 | Self Dev, Health | 0 Comments
Just One In A Thousand Speed Painting by Agnes Cecile
by Darth Maul | May 1, 2017 | Speed Painting | 0 Comments
Agnes Cecile paints “Just One In A Thousand”.
The Difference Between Modern And Contemporary Architecture
by Darth Maul | July 21, 2018 | Architecture | 0 Comments
There’s often a lot of confusion of what’s modern and what’s contemporary and their very different approaches to design but given the raw definitions and understanding how they are derived will provide clarity between the two.
Dragon Speed Painting by Chris Scalf
by Darth Maul | March 24, 2017 | Speed Painting | 0 Comments
Speed Painting of a dragon by Chris Scalf.
Positivity with COVID 19: Shelter in Place Order
by Leylin | April 25, 2020 | News | 0 Comments
Jumping to the First or Last Item in Finder
by Darth Maul | May 5, 2021 | MacOS | 0 Comments
The Humble Beginnings Of SpaceX
by Darth Maul | September 26, 2017 | Space | 0 Comments
Never give up! SpaceX didn’t.
The City of White Nights
by Darth Maul | August 8, 2018 | Architecture, Travel | 0 Comments
Time Lab brings us amazing aerial shots of St. Petersburg.
Science Vs. Music
by Darth Maul | October 1, 2017 | Music | 0 Comments
Nigel Stanford’s CYMATICS: Science Vs. Music – brilliant music and visualization.
Layers
by Darth Maul | March 28, 2019 | 3D Animation, Art | 0 Comments
“Computer-generated dark and brutal geometric monoliths are dissected by invisible 3D objects to reveal the layers of the colorful and emotionally vibrant inner structures.” – Maxim Zhestkov